Filming in 2024 - Bring on 25
This year has been packed with moments that made me laugh, curse, and grow. I’ve visited coffee roasters, stood in awe of light painters, driven cars while Josh leaned dangerously out the window filming sheep, and hiked hills only to realise I’d forgotten the SD cards. I’ve had conversations with directors, musicians, artists, and composers, and their advice has stayed with me: make time for creativity and don’t compromise on what matters to you.
The studio has been busier than ever, with a full calendar for much of the year. I’ve learned the art of juggling multiple shoots at once—sometimes smoothly, sometimes not—but always with an eye on maintaining integrity and creativity. We’ve filmed on farms, in wineries, artist studios, bustling hospitality venues, and everywhere in between. Each project has pushed us to adapt and stay inventive.
Our style is evolving. Interviews are becoming more natural, and the "follow-me" format feels more fluid. I’ve been thinking a lot about what sets our work apart and how to refine that niche. Small crews, solo shoots—it’s all about staying lean and focused. Storytelling remains at the heart of what I do, but I’m also starting to see the value in creating more visually striking, "eye candy" moments to balance the narrative.
Clients this year have included the City of Adelaide, Port Adelaide, Onkaparinga, the Adelaide Guitar Festival, PIRSA, Scape, Flinders University, and many more. It’s easy to look at a list like this and see just names, but behind each one is a group of people who trusted me with their vision. I’m incredibly grateful for that trust and the opportunities to bring their ideas to life. As well as the Insider Crew and other contractors who have contributed so much to the outcomes.